Racy Screenplay with horrendous stunts
Starring: Surya, Anushka, Prakash Raj, Vivek, Nasser, Vijaykumar and Radha Ravi
Genre: Tough Cop Flick
I cannot possibly recall a Gravity Law by Sir Isaac Newton which states “humans can fly on Earth”. I do remember his famous law of motion: “Every action has an equal and opposite reaction.” But, that doesn’t mean a guy can fly yards away, after being punched. These rules have been bent by commercial cinema in order to keep our protagonist, a larger-than-life guy. And if our protagonist is played by Suriya, just “forget about it” (the Donnie Brasco way). Suriya dons the khaki uniform again, after a career-transitional role of a cop in Kaakha Kaakha. Singam however stays commercial to its core.
Singam has the Punch Dialog of the Year: “Ongi adicha ondra ton weight-u da.” (English Translation: My punch weighs one and a half tons). And, unlike other heroes, Suriya gives you an example by hitting the thug near him, who spins like a tornado and then hits the ground allowing dust to rise. Welcome to the world of commercial cinema!
Also, we have Anushka trying to get her big break in Tamil Cinema. Good news! Singam is successful at the box office. But, that doesn’t mean Anushka has made it. She still has a long way to go. I felt her acting in Vettaikaaran was mature when compared to those dumb things she has done in Singam. The glamorous Shriya Saran has finally found some worthy competition.
Prakash Raj was on a spree. He won a National Award for his acting performance in Kanjivaram. His performance in Abhiyum Naanum was out of the world. Why, oh why did he choose to act as the same old stereotypic villain here? Talk about stereotypes and I still think Ghilli’s Muthu Paandi was Prakash Raj’s best role as a stereotypic villain. He did win an award for it. Comedian and Padmashree winner, Vivek had me laughing at times. But, he had me groaning most of the time. This man has run out of jokes and must clearly take a sabbatical and return with a fresh mind.
There’s no way I could be lenient on a movie, tailor-made for Suriya. The aggression, the emotions and those romantic winks, all constitute an effort for him to speak through the eyes. And, the scene where he’s asked to remove his shirt and fight serves as an opportunity for him to flex his muscles. This being his 25th movie, he impresses you with those dance moves. Well, the guy is on a blockbuster spree. Like it or not, the cash registers are chiming. CHING!
Tragedy has struck Tamil Cinema. While commercial films (a.k.a no-brainers) like Singam rake moolah at the box office, offbeat and realistic movies continue to run dry. Success is unfortunately a big-budget word.