Nothing but excruciating pain
Rating: ZERO is unfit for this film. We must try minus.
A commercial flick followed by an art house film and then again, a commercial flick, and on and on… This is how Vikram works. He needs to impress both the audience and critics. While some of his big budgeted films like Saami and Dhool have tasted success, his recent lineup has been bad: Bheema, Kandhaswamy and now… Rajapattai.
Suseenthiran maintained realism in his last action flick, Naan Mahaan Alla, where Karthi struggled to fight the baddies. In Rajapattai, it’s Vikram’s way and he sends baddies flying all over the screen. A beautiful actress, Deeksha Seth’s Tamil debut is a sad story.
The film runs for 125 minutes with 25 minutes allotted for songs. So, in the remaining 100 minutes, Suseenthiran brings you action sequences that take up another 20 minutes. How does someone tell a story in 80 minutes? This ain’t Hollywood, where you can weave characters by dialogues. This is Tamil industry where characters need a scene or two to show their traits.
Vikram’s last art house film, Deiva Thirumagal was a disaster of all sorts. Does the man want to tell us that he can act too? We know he can! We’ve seen Sethu and Pithamagan, two films that’ll stand out any day. Ravanan was a link between art house and commercialism, and the actor did a good job in that crossover flick too. What else does he have to prove?
Rajapattai and Kandhaswamy are both Vikram’s downers. These over-hyped commercial cocktails are served without alcohol and hence, we feel cheated. But, the bartender (filmmaker) doesn’t care because he’s taken your money already.
If Tamil cinema needs a change, it needs to stop making films like these. Commercial entertainers are a must. But, these kinds of films that overdose on commercialism can be prevented.