Of brothers, sisters, and gangsters
Despite the pomp and show that accompanies it, Vettai is a frivolous entertainer accompanied by flashy fight sequences. Post the success of Paiyya, filmmaker N. Lingusamy treads down the beaten path and displays the survival of a loving brotherhood in a rough town.
Portrayed as an action hero in Run, Madhavan’s timid appearance in Vettai is a sheer delight. When the heroines’ intro song rolls on, I felt a connection with the 50s where heroines enjoyed the privilege of having their own intro number. Such privilege is a rarity today.
Footnote: Do filmmakers still believe that chartbusters can largely help in improving box office collections?