Note: It is incredibly tough to crunch a four page review into 140 words. But, given the attention span of today’s readers, we have to embrace change with a heavy heart.
The Goodfella of Wall Street
The Wolf of Wall Street is Martin Scorsese’s homecoming. If you set aside the visually appealing Hugo and the dark Shutter Island, you’ll have a career spanning the best and the most vicious films we have seen in the last forty years.
The Wolf of Wall Street is also Leonardo DiCaprio’s “grand slam home run”. He has been on the bench – Scorsese’s bench – waiting for his turn. Every DiCaprio–Scorsese collaboration – Gangs of New York, Aviator, The Departed and Shutter Island – has been a joy ride. But only The Wolf of Wall Street showcases his abilities.
The Wolf of Wall Street has all the qualities of a classic Scorsese film – drugs, money, women, sex, unexpected humour and the obsessive compulsive character. If you’re a hardcore Scorsese fan, this one’s for you.