Tomas Alfredson’s paranoia thriller spreads fear among the characters that devastating consequences can happen if the mole (rat) isn’t found. The cast consists of recognizable British actors who prance around dark rooms muttering dialogues below their breath.
Unlike Ian Fleming, who wrote unrealistic MI6 novels centering on a larger-than-life spy, John le Carre’s novels portray George Smiley as a bruised war hero who walks around the streets of London preparing for death to emerge out of every corner. Gary Oldman’s cold approach to Smiley gives the character more depth and brings in a certain mystery to the character.
Foot Note: While the film takes its own time to unfold, the end result is a rewarding thriller.
Guy Ritchie is an auteur.His subtle use of black comedy becomes a large part of Sherlock Holmes. This film is perhaps not the best version of Sir Conan Doyle’s stories, but it is the quintessential Guy Ritchie film. Robert Downey’s Sherlock Holmes thinks faster than Daniel Craig’s James Bond.
Take the vital elements in it – Ironic mix of humor and violence (aka Black Comedy), lots of fist fights between the baddies and the good guys (Holmes, Dr. Watson and sometimes Irene Adler), ‘best buddies-get-emotional’ scenes (we’ve seen it in Snatch and heavily in RocknRolla) and most notably Ritchie’s favorite villain – Mark Strong. Moreover, Lord Blackwood’s famed Satanism seems to be a cover-up for his use of trickery and science in his most devious escape from death.
Downey gives you a more masculine version of Holmes and yes, he is charming enough to handle the humor. Jude Law’s Dr. John Watson is more likely the strongest character in the film, apart from the French-speaking baddie, Dredger. The funny thing is that Ritchie’s previous flicks never had a female lead (Thandie Newton in RocknRolla wasn’t the lead). Rachel McAdams’ Irene Adler is a sublime performance. Here, Rachel’s portrayal of a beautiful but dangerous woman in Holmes’ life lacks the charm.
The second one, Kelly Reilly’s Mary Morstan who plays Watson’s love interest may be in for more than she knows. The advent of Mary on the scene sends Holmes into fits of petulance. Even when Watson booms “I’m marrying her Holmes!” he tries to avoid her shadow.
Sherlock Holmes happens in Victorian England. Hence, visual effects are a big boost to the film. Watch out for the Tower Bridge. It is the best any animator could do. Full marks to the costume design and art direction team, they really did their homework.
Sherlock Holmes is vastly entertaining with many enchanting visuals. However, it fails to reincarnate Sir Conan Doyle’s vision. Instead, it is Guy Ritchie’s commercial formula.