Make Way For The Mother of All Disaster Films!
2012 (PG-13)
Director: Roland Emmerich
Cast: John Cusack, Amanda Peet, Woody Harrelson, Chiwetel Ejiofor, Thandie Newton, Oliver Platt and Danny Glover
Genre: Disaster Film
Rating: **
One of the best scenes in the film is when a phenomenal earthquake rips off the City of Angels. In comparison to J.J. Abrahams’ Cloverfield where our fair lady, Liberty’s head is decapitated by the monster, the Statue of Jesus in Rio de Janeiro is destroyed by a known monster called Nature. Emmerich has waited long to bring this so-called epic disaster film. Well, I pronounce 2012 as the mother of all disaster films. I would be darned if he makes something more terrible.
2012 depicts the Rapture a.k.a Judgment Day a.k.a End of the World a.k.a Global Warming killed the world buddy. Emmerich has signed more than twenty three companies to add visual effects to the film. Hence, you find that 90% of the movie is shot in front of a green matte. Bear with me, the tsunami in 2012 is deadly that it can overturn an aircraft carrier onto the White House which kills the country’s black president. John Cusack’s stunts with the limousine are probably the best car stunts. 2012 has a $200 million budget which mainly comprises of the enormous visual effects used.
Woody Harrelson plays a psyched RJ who keeps informing the public of strange things happening in Yellowstone National Park. He manages to ward off Cusack by guiding him to China for safety. But, the problem is – how will Cusack make it to China from LA with his two kids, ex-wife and her husband. Strap on for an entertaining ride which takes you from halfway and keeps you geared to witty humor and swashbuckling visuals.
The twenty three companies which have worked on the film’s visual effects deserve applause. For without them, there’s no 2012. 2012 is catastrophe created through CGI. While Cusack, Amanda Peet and a handful of Russians struggle inside a battered airbus, Chiwetel Ejiofor, Thandie Newton and a rude Oliver Platt struggle for supremacy inside Air Force One.
There is enough disaster in the script to keep you plugged to the screen. The scenes involving the private jet and limousine offer a death leap. But, in the end, it’s Roland Emmerich who plays the death game as he kills each and every supporting character in the film allowing only the protagonist and his family to stay alive.
Watch 2012 and learn on how to survive Judgment Day. Firstly, you must be a failed novelist and must have two kids from your first marriage and a part-time job as a limousine driver. Secondly, your failed book must inspire this top end man in Science and Technology wing of the White House. Thirdly, there must be a Black President on board. If you do so, you can survive the apocalypse. If you don’t fulfill the three qualifications – ‘til death do we part?
2012 can be defined as a giant bag full of splendid visuals, tiny character timelines, insensible emotions and enough hero worship.